ISAIAH HOWELL
is an audio human, based in New York , NY. They received a BFA in Lighting Design with a focus in Sound Design at Virginia Commonwealth University in 2018. Post graduation, they relocated to New York and have been working as a freelance A1, Production Audio, and Sound Designer (just kidding about that part, I’ll do it occasionally), with a penchant for finding new original works. Sound design credits include Ben Gassman’s Botte di Ferro (dir. Tara Elliot), Clubbed Thumb Theatre Company’s Temporary Occupant (dir. Rachel Gita Karp), and L.A. New Court Theatre's production of Atlas Pit, or The Garbage Man's Son (dir. by Beth Lopes) [Winner StageSceneLa Scenie Award].
Primarily an A1, previous mix credits include Once (des. Connor Wang) at KCRep, Syncing Ink (des. G. Clausen) at the Apollo Theater, NY, and a slew of shows at the Minetta Lane/Audible Theater (Off Broadway). When they aren’t mixing musicals, they have been moonlighting as a Monitor Mixer down at Webster Hall for acts such as Origami Angel, Sabai, Sango and more!
When their not working shows, they enjoy relaxing and goofing off at home with friends, playing with dogs at the local dog park, watching bad movies, (attempting to) write shows for stage and screen, writing scores and producing music, and exploring some of The Heights best coffee shops.
They’re really just a big nerd and super dorky to the moon (see below)!
